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10 Years Release "Shoot It Out" Promo Video
August 17, 2010
Check out a brand new promotional video for 10 Years' "Shoot It Out." The clip features the full-length song plus the lyrics for fans to sing along to. "Shoot It Out" is available on iTunes now, and the band's forthcoming album, 'Feeding the Wolves', will be available everywhere on August 31st.

10 Years
is currently on the road along side Shinedown, Puddle of Mudd, Sevendust, and Chevelle. Visit for tour details and to purchase tickets, as well as for news and updates from the band.
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Shinedown Karaoke Contest Announced
July 28, 2010
TheLiveLine and Alternatve Revolt Magazine (Alt Revolt) have teamed up for the Alt Revolt Shinedown Karaoke Contest, presented by TheLiveLine. The contest is a first of its kind, where TheLiveLine will be using their innovative voice technology for fans to leave both messages for Alternative Revolt Magazine and Shinedown. But not just any messages for this contest, and additional shenanigans are required . . .

The contest: Call Alt Revolt's LiveLine for free and sing a line from ANY Shinedown song: (702) 987-4095

Winners receive: An autographed photo from Shinedown and complete Shinedown prize package!

Also, make sure you go to Alt Revolt's page at TheLiveLine to hear some of the entrants so far, and sign up for a profile at TheLiveLine (if you haven't already) to hear them all. Think of American Idol in a sense. You've got some good singers, and you've got some baaaad (yet hilarious) singers.

Head over now to join the craziness:
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Sick Puppies Release Trailer For New Video
January 9, 2010
Australian trio Sick Puppies have just released a trailer for their upcoming "Odd One" music video, which features the band performing at a Los Angeles Skate Park. "Odd One" is the second single off of the band's new album 'Tri-Polar', which was released last year. The first single "You're Going Down" was featured on the WWE's Extreme Rules PPV event last year. The band had a busy 2009 tour schedule, and plan to do the same through the beginning of 2010.

Tour dates are as follows:
1/8 - Egan Center - Anchorage, AK
1/9 - Blue Loon Theatre - Fairbanks, AK

w/ Chevelle:
2/08 - HOB - Boston, MA
2/09 - The Fillmore @ Irving Plaza - New York, NY
2/10 - Lupo's Heartbreak Hotel - Providence, RI
2/12 - Electric Factory - Philadelphia, PA
2/13 - UC Riverside - Riverside, CA (No Chevelle)
2/15 - Lifestyle Communities - Columbus, OH
2/16 - Royal Oak Theatre - Royal Oak, MI
2/17 - Piere's - Fort Wayne, IN
2/19 - Egyptian Room at Murat Centre - Indianapolis, IN
2/20 - Riviera Theatre - Chicago, IL

w/ Nickelback, Breaking Benjamin, Shinedown:
4/06 - John Labatt Center - London, ON
4/08 - Air Canada Centre - Toronto, ON
4/09 - Bell Centre - Montreal, QC
4/11 - Scotiabank Place - Kanata, ON
4/13 - Verizon Center - Washington, DC
4/14 - Hampton Coliseum - Hampton, VA *
4/16 - Bi-Lo Center - Greenville, SC *
4/17 - Greensboro Coliseum Complex - Greensboro, NC *
4/19 - Amway Arena - Orlando, FL *
4/21 - Philips Arena - Atlanta, GA *
4/23 - Scottrade Center - St. Louis, MO
4/24 - BOK Center - Tulsa, OK *
4/26 - Sprint Center - Kansas City, MO
5/05 - Spokane Center - Spokane, WA
5/07 - Tacoma Dome - Tacoma, WA
5/08 - Memorial Coliseum - Portland, OR
5/10 - Idaho Center - Nampa, ID
5/14 - INTRUST Bank Arena - Wichita, KS
5/15 - American Airlines Center - Dallas, TX
5/18 - Allstate Arena - Chicago, IL
5/19 - Van Andel Arena - Grand Rapids, MI
5/21 - Bradley Center - Milwaukee, WI
5/22 - Verizon Wireless Music Center - Noblesville, IN
5/24 - Target Center - Minneapolis, MN
5/25 - Qwest Center - Omaha, NE
5/27 - Fargo Dome - Fargo, ND
5/29 - Credit Union Center - Saskatoon, SK
5/31 - Pengrowth Saddledome - Calgary, AB
6/01 - Rexall Place - Edmonton, AB
6/03 - General Motors Place - Vancouver, BC

* = No Shinedown

For more information on Sick Puppies visit,, and follow the band on Twitter at
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A7X DVD Trailer Available , Tour Dates Announced
August 19, 2008
On September 16th, Orange County rockers Avenged Sevenfold will release a DVD/CD package called 'Live in the LBC & Diamonds in the Rough'. The live DVD features the band’s April 10th hometown show at the Long Beach Arena headlining the Rockstar Taste of Chaos tour, while the CD contains previously unreleased b-sides that were recorded during the making of Avenged Sevenfold, plus various covers, and other never-before-heard material. The DVD was directed by Core Entertainment's Rafa Alcantara, who also worked on the band's critically acclaimed 2007 road documentary 'All Excess'.

'Live in the LBC & Diamonds in the Rough' Track List:

1. Demons
2. Girl I Know
3. Crossroads
4. Flash of the Blade
5. Until the End
6. Tension
7. Walk (Pantera cover)
8. The Fight
9. Dancing Dead
10. Almost Easy (Remix)
11. Afterlife (Alternate version)

1. Critical Acclaim
2. Second Heartbeat
3. Afterlife
4. Beast and Harlot
5. Scream
6. Seize the Day
7. Walk (Pantera cover)
8. Bat Country
9. Almost Easy
10. Gunslinger
11. Unholy Confessions
12. A Little Piece of Heaven

Check out the official trailer for Avenged Sevenfold's first concert film below. 'Live in the LBC & Diamonds in the Rough' was shot in HD & 5.1 Audio including a full album of unreleased music from original recording sessions, rare covers and more. Visit for official pre-order information soon.

'Live in the LBC & Diamonds in the Rough'
hits streets September 16th, 2008.

In other news, Avenged Sevenfold have announced fall headlining tour dates beginning September 16th and co-headlining dates with Buckcherry kicking off in mid-September. Avenged Sevenfold and Buckcherry will alternate as headliners, with Shinedown and Saving Abel filling out the bill.

Avenged Sevenfold headlining dates:
9/06 - Huntington, WV - WAMX Festival
9/09 - Quebec City, QC - Pavilon de la Jeunesse
9/10 - Montreal, QC - Metropolis
9/11 - Toronto, ON - Sound Academy
9/13 - Chicago, IL - Q101 Block Party

Co-headlining dates w/ Buckcherry, Shinedown, and Saving abel:
9/16 - Moline, IL - iWireless Center
9/18 - Sioux Falls, SD - Canaries Stadium
9/19 - Kansas City, MO - Sandstone Amphitheatre
9/22 - Lincoln, NE - Pershing Auditorium
9/23 - Wichita, KS - Kansas Coliseum
9/24 - Tulsa, OK - Riverparks
9/26 - Huntsville, AL - Big Spring Jam
9/30 - Clemson, SC - Littlejohn Coliseum
10/04 - Mobile, AL - Bayfest

*More dates to come
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(4 news stories listed.)

Early in 2007, producer Rob Cavallo asked Shinedown frontman Brent Smith about his goals for the band's new album. Smith didn't hesitate.

"I said, 'You know what -- when I'm dead and gone, when everybody in this band has passed or what have you, I want the world to remember this as a record that needed to be made, and that there was a reason for it,' " Smith says. "That was the motivation behind this album.”

"And part of the reason it took so long to make!"

Welcome then to THE SOUND OF MADNESS, Shinedown's third album -- and the Florida rockers' boldest effort to date. Like its two predecessors, 2003's Platinum LEAVE A WHISPER and 2005's Gold US AND THEM, THE SOUND OF MADNESS offers a brave and unsparing look into the soul and psyche amidst a fierce musical attack that, even in its quieter moments, vibrate with the passion, energy and focus of a band with high-minded ideals and limitless ambitions.

Smith and company began the recording process for THE SOUND OF MADNESS with the formidable task of following up two massively successful albums that yielded a staggering seven consecutive Top five rock and alternative radio hits that included "Fly From the Inside," "45," the chart topping "Save Me," and a cover of Lynyrd Skynyrd's "Simple Man," along with a reputation as a hot live band with an insatiable appetite for the road. However, after one listen, it’s clear that the band didn't shrink from the task. Where THE SOUND OF MADNESS differs most is in its growth; it’s the product of a group that has developed an even clearer vision for how it wanted to impact an audience.

"Lyrically, these songs are the most blunt that I've ever written," says Smith, who formed Shinedown with drummer Barry Kerch in 2001 in Jacksonville, Fla. "I feel that on this record I wrote what a lot of people want to say, but they just don't know how to say it -- not that I should tell anyone how to live their lives, but I've had these experiences and these thoughts that are in my head. And I can't believe I'm the only one who feels the way I do. So I just tried to express that in the most artistic and the most honest way I possibly could."

On THE SOUND OF MADNESS, Smith and Shinedown express those thoughts and ideas in ways they never have before. The group's hard rock muscles flex on songs such as the first single, "Devour," "Cry For Help," "Sin With a Grin" and the title track. But the likes of "The Crow and the Butterfly," "Breaking Inside" and "Second Chance" incorporate more sophisticated, emotional dynamics (enhanced by a 20-piece string section), while Smith counts "If You Only Knew" as his first straight-up love song, a tribute to his girlfriend Ashley and a relationship that led to the birth of their son, Lyric, in late 2007.

"A long time ago I said, 'I'll never write a love song. I'm not that guy,' "Smith recalls with a laugh. "I just never had a reason to write a love song before. I don't mean to be corny, but it's just a song that expressed how much she means to me and how she has given me more than I could ever imagine. I'll spend the rest of my life trying to repay her and thank her for everything she's done for me."

THE SOUND OF MADNESS also contains Smith's first-ever political song “Devour,” which he says was inspired by Shinedown's visits to troops in Iraq and his feelings about the end of George W. Bush's presidency.

"I won't lie; I got really angry," Smith explains about the first single. "This is my statement to him; 'This is the end of your presidency, and this is what you have to show for it' -- Not that everything he did was bad or wrong. I don't want to get too political, because I'm not a political person. But after coming back from Iraq, I just had to write that song and get it out of my system."

Elsewhere on THE SOUND OF MADNESS, listeners will find Shinedown waxing autobiographically ("Second Chance" is about Smith leaving his native Knoxville, Tenn., to pursue a career in rock 'n' roll; "What a Shame" is an elegy to a beloved late uncle) but also crafting insightful observations gleaned from the hundreds of shows and millions of road miles the band has logged.

"In the seven years of this thing called Shinedown," Smith says, "I've seen a lot of different things - what we've all gone through on the road, things in our personal lives or witnessed firsthand through the fans that we've made and the relationships we've built with our audience. I think the biggest thing was I didn't want to sugarcoat the way life can be sometimes. This is my viewpoint. This is my view of every day life."

Kerch, meanwhile, says THE SOUND OF MADNESS succeeds most in putting some sonic power behind the power of Smith's expression.

"We wanted to come out of the gate crushing," the drummer explains. "We really wanted to make a statement with this record and make it bigger than life -- a big rock album that made a statement that, 'Alright, we're back. This is our third record, and this is what we're about.”

By the time Shinedown first met with producer Rob Cavallo -- whose own Grammy award winning, multi-platinum track record includes work with Green Day, My Chemical Romance, the Goo Goo Dolls and Kid Rock -- the frontman had a number of songs already together and further dazzled the producer by improvising a new composition during their discussion.

"I was just taken with (Smith)," Cavallo says. "He was really just on fire to do well. He's a guy driven to win. He wants to make the best record he can make and spent a lot of time writing ...making sure it all mattered."

Cavallo, meanwhile, entered THE SOUND OF MADNESS with his own agenda for Shinedown's next step.

"I thought they definitely had a greater potential than the success they'd already achieved," he explains. There's no reason a guy with that voice and intensity shouldn't be able to go all the way. We decided to make sure that the songs had that potential."

Smith heard the message loud and clear. He left the first meeting with Cavallo and returned with nearly 60 songs by the fall, when Shinedown entered the studio in Los Angeles. The group wound up recording 15, including some -- such as "Cry For Help" -- that were written in the studio during the recording process.

All the while, however, Smith says that Shinedown "wanted it loud and wanted it big and heavy and grandiose. For the heavy songs, we wanted it as heavy as it could be, but using different kinds of styles with a lot of different guitar tones." Incorporating synthesizers and the aforementioned strings, Smith notes that, "we used a lot of really unique sounds and different variations underneath the music that you wouldn't necessarily know were there, but, if they were gone, you'd miss them."

Kerch says Cavallo's role in helping attain that layered sound cannot be understated. "He brought to the table not only knowledge of music in general but a lot of patience and a real comfortable environment," Kersh recalls. "He would sit on the couch and we'd be playing a take and he'd pop up and go, 'Oh fuck! This is what we have to do!' and come out and literally show us. He was so energetic and made everybody want to do better."

That bigger sound on the album is mirrored in the new lineup of Shinedown, a quintet edition of the band that, along with drummer Kerch (or ‘the almighty Barry Kerch’ as Smith likes to say), includes former Silvertide member Nick Perri on guitars, Eric Bass on bass, and former touring guitarist Zach Myers as a permanent fixture.

"All of a sudden it started growing into this other thing," Smith says. "These guys are brilliant, brilliant players. It's a reinvention, and it's stronger."

Smith plans to take keep this "new reincarnation" of Shinedown on the road for quite awhile, too, making sure THE SOUND OF MADNESS is heard worldwide. A justifiable pride in the album as well as a growing international fan base for the band will lead to an even further evolution in which the record that "needed" to be made will similarly need to be heard in a live setting.

"I sometimes look at Shinedown as an entity unto itself," Smith says. "It keeps evolving all the time, like it actually has a heartbeat. It's not a machine; there's actually blood flowing through it. From the time we came up with the name, it's felt like it's conducting us and flowing through us. It's weird -- but it's pretty wonderful, too."